A. Antony and Cleopatra
C. King Lear
D. Othello
A. Windsor
C. Lancaster
D. York
B. plots of mystery and terror set in inhospitable, sullen landscapes
C. supernatural phenomenon
D. perversion and sadism, often involving a maidens persecution
A. 3
B. 6
D. 5
B. Aemilia Lanyer
C. Samuel Daniel
D. Ben Jonson
A. Hart Crane
C. William Carlos Williams
D. Ernest Hemingway
A. the Protectorate
B. Ulster
D. West Britain
A. The common people were still essentially pagan.
B. Their leaders were Lollards, advocating radical religious reform.
D. They believed that writing, a skill largely confined to the clergy, was a form of black magic
A. Protestantism
B. Ancestor-worship
C. Atheism
B. Mary Shelleys Frankenstein
C. Jane Austens Emma
D. Sir Walter Scotts Waverley
A. Sonnets from the Portuguese
B. Prelude
C. The Last Decalogue
A. William Worsworths Lyrical Ballads
C. John Keatss To Autumn
D. Mary Wollstonecraft Shelleys Frankenstein
A. the classical satire
B. the epigram
C. the country-house poem
A. ruinous condition.
B. performing bears.
C. graffiti.
A. Romantic
B. Metaphysical
C. Neo-Romantic
A. Wollstonecrafts Vindication of the Rights of Woman
B. Coleridges Dejection: An Ode
C. Blakes Prophetic Books
A. Cheapside
B. Covent Garden
D. Elephant and Castle
A. Thom Gunn
B. Dylan Thomas
C. Philip Larkin
A. He lived in Italy until the age of 27
C. Asthma, headaches, and spinal deformity made him an invalid
D. He just wasnt bright enough
B. human reverence for the classics
C. the belief that the English were direct descendants of the ancient Greeks
D. pride for the vernacular language
A. his party.
B. love.
C. honor.
A. iambic pentameter in rhyming couplets
C. free verse, without rhyme or regular meter
D. the verse form of the Shakespearean sonnet
A. symbolically to suggest that natural objects correspond to an inner,
B. to depict a metaphysical concept of nature by endowing it with traits normally associated with humans
C. as a means to demonstrate and discuss the processes of human thinking
A. a poetic aesthetic vainly concerned with the way words appear on the page
C. the resurrection of Romantic poetic sensibility
D. an attention to alternate states of consciousness and uncanny imagery
A. the Welsh and the Scots
C. abolitionists and enthusiasts for slavery
D. round-earthers and flat-earthers
A. charity
C. censorship
D. subscription
A. the Book of Common Prayer
B. the monarchy, in the person of Charles II
C. toleration of religious dissidents
A. hunting
B. gluttonous feasting
D. hard drinking
A. Alexander Pope
B. Ben Jonson
D. William Collins
A. Mary Tudor
C. James I
D. Henry VII
B. Drydens Absalom and Achitophel
C. Popes The Dunciad
D. Drydens Mac Flecknoe
A. It lacked the classical pedigree of poetry and drama.
B. It required less skill than other genres.
C. Too many of its readers were women.
A. its union of thought and passion
C. its uncompromising engagement with politics
D. its intellectual complexity
A. irresolute open endings
C. stream of consciousness
D. free indirect style
A. choler
B. black bile
D. blood
A. only a small area around London and Oxford.
B. with an absolute prerogative his father would have envied.
D. through a system of draconian military courts.
A. Evelyn Waugh
B. Virginia Woolf
D. Orson Wells
B. Neo-Romantic
C. Metaphysical
A. Butlers Hudibras
B. Gays Beggars Opera
C. Fieldings Jonathan Wild
A. the Norman Conquest of 1066.
B. the Anglo-Saxon Conquest beginning in the 1450s.
D. the Peasant Uprising of 1381.
A. Decameron
B. Merlin
C. Macpherson
A. Alfred Lord Tennyson
B. Samuel Johnson
D. William Blake
A. All royalties from the sale of books went to the crown (hence the name).
C. All books had to be dedicated to a noble or royal patron.
D. Poets were required to have a university diploma (the original \poetic license\).
A. Spenser
C. John Gower
D. Langland
A. London Magazine
C. The Edinburgh Review
D. The Spectator
A. a poet
B. a merchant
C. none of the above
A. The Fatal Curiosity
B. A Handful of Dust
C. Riders to the Sea
B. Joseph Conrads Heart of Darkness
C. Jean Rhyss Wide Sargasso Sea
D. E. M. Forsters A Passage to India
A. Sigmund Freud
B. Sir James Frazer
C. Immanuel Kant
B. free indirect style
D. stream of consciousness
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