A. the decline of the Irish race

B. the race for Irelands welfare

D. the race for more modes of transportation

A. the Irish desire for independence

C. an increase in Irish nationalism

D. the formation of the secret, revolutionary IRB

A. 1569

B. 1558

C. 1542

A. none of the above

B. simile

D. personification

B. he hopes to join the IRB

C. he is opposed to the nationalist cause

D. he is deeply invested in the nationalist cause

A. Vancouver

C. Montreal

D. Toronto

A. personification

C. metaphor

D. none of the above

A. Stuart

B. Plantagenet

D. Anjou

B. pastoral

C. comedy of manners

D. satire

A. she decides to quit her job

C. she leaves for France

D. she decides to leave her mother

A. the supremacy of Britain

C. the positive side of war with Germany

D. the Irish nations inability to survive without Englands help

A. the free dream associations

B. the sketchy, episodic structure

C. the invented words

A. She never attempted to publish her poetry

C. She wrote in code

D. She wrote her poems in invisible ink

A. Boyle

C. Queen Elizabeth

D. Chaucer

A. Samson

C. Francisco

D. Gorgonzola

A. Solan

B. Sappho

D. John keats

A. Alexander Pope

C. Samuel Taylor Coleridge

D. John Milton

A. simile

C. metaphor

D. haiku

B. repetition of words

C. stream of consciousness

D. shifts in narrative voice

A. Dylan Thomas

B. Ezra Pound

D. E. E. cummings

A. To the shrine of st. Peter at Canterbury cathedral

C. both A and B

D. None of these

A. Ernest Hemmingway

B. Virginia Woolf

C. W.B. Yeats

A. Amoretti

B. Prothalamion

C. Faerie Queen

A. Shortage of paper

C. Rise in taxation on magazines

D. Fall in Sales

A. fantasy

B. gothic

D. impressionism

A. William Wordsworth

B. H. W. Longfellow

C. Ralph Waldo Emerson

A. William Shakespeare

B. Emily Dickinson

C. Browning

B. Wolfe Tone

C. Father Arnall

D. Daniel OConnell

A. Robert Hass

C. Micheal Palmer

D. Jessica Hagdorn

A. the use traditional language

B. the lack of taboo topics

D. the sequential construction of time

B. the positive representation of the Catholic Church

C. the representation of adventures the city offers to the mind

D. the positive representation of cultural institutions

A. married relationships

C. religious identity

D. national identity

B. art should not please the perception

C. art should not produce stasis in the viewer

D. art should be kinetic

A. Ode to a Grecian urn

B. Let me not to the marriage of true minds

D. In faith I do not love thee with mine eyes

A. Vice of Kings

C. The Slaying of Lucianus

D. Slings and Arrows

B. it allows for the introduction of plot snippets and new language

C. it prevents exploration of the unconscious

D. it obscures the characters immediate thoughts

B. Burdock

C. Baneberry

D. Hemlock

A. the image is presented in immediate relation to others only

C. the image is presented is immediate relation to the artist and others

D. the image is presented in a way that is not purely personal

A. W.B. Yeats

B. George Russell

D. J.M. Synge

B. 1582

C. 1544

D. 1578

A. The Canterbury Tales

C. The Canterbury Tales

D. The Book of the Duchess

A. Visions of the worlds vanitie

C. The Visions of Petrarch

D. The Ruines of Time

A. Top Girls

C. Queen Cristina

D. The Homecoimg

A. 1382

B. 1367

C. 1374

B. it outlines the order of stories in The Dubliners

C. it outlines the movement of time in Finnegans Wake

D. it outlines the transition from child to adult in The Dubliners

B. The House of Fame

C. Troilus and Criseyde

D. The Legend of Good Women

B. lyric

C. narrative

D. none of the above

B. The Shepheardes Calender

C. Amoretti

D. Astrophel

A. rhyme and reason

C. purpose and audience

D. characters, main idea, and theme

A. murder

B. slander

D. hypocrisy