A. anchorites who lived in seclusion

C. educated women

D. women who were villains in stories of courtly love

B. 1

C. 2

D. 0

A. Chrtien de Troyes

C. Geoffrey of Monmouth

D. the Beowulf poet

A. the coronation of Henry II

B. King Johns seal of the Magna Carta

D. the marriage of Henry II to Eleanor of Aquitaine

A. adultery

C. superstition

D. jealous fathers

A. Radcliffe wants to emphasize the happy ending of the marriage of Emily and Valancourt.

C. It acknowledges the lack of supernatural plot tricks.

D. Radcliffe considers her work a continuation of the sentimental novel of the 18th century.

A. imagery

B. affective piety

C. paradox

A. The repetition of words

C. The use of epithets with characters names

D. An episodic structure

A. none of the above

B. Agnes de Copton

C. Philippa de Roet of Flanders

A. Henry V

B. Edward III

D. Henry III

A. They provide relief from the real world.

C. They obscure deep emotions.

D. They are part of the unconscious controlled by science.

A. Realism

B. An English setting

D. An epistolary format

B. a story about love and adventure

C. a Roman official

D. a work derived from a Latin text of the Roman Empire

A. People are foolishly superstitious.

B. A world devoid of supernatural phenomena is a better world.

D. The personification of nature is regressive.

A. The Book of Margery Kempe

B. Revelations of Divine Love

D. The Wooing of Our Lord

A. Dracula as sexual predator

B. Dracula as transgressor of Gods order

C. Dracula as foreign invader

B. Emily ends up happily married.

C. Emilys sense of decorum seems to falter late in the novel.

D. Emily provides a unique example of a weak woman.

A. she emphasizes practical rather than theological virtues

C. she does not mention traditional virtues like piety

D. she values reason and activity instead of silence

A. books that were primarily intended to teach men how to treat their wives

B. books that conformed with strict standards of behavior

D. books that recounted historical events in the medieval era

B. an astronomer

C. none of the above

D. a musician

A. the Anglo-Saxon Conquest beginning in the 1450s.

B. the Peasant Uprising of 1381.

C. the wave of contempt for manuscripts that followed the beginning of printing in 1476.

A. the royal family and upper orders of the nobility

B. agricultural laborers

D. the lower orders of the nobility

A. for writing poetry against the church

B. none of the above

D. for crossing the border of Great Britain

A. the service owed to a lord by his peasants (\villeins\)

B. unrhymed iambic pentameter

C. a prized ink used in the illumination of prestigious manuscripts

B. an illiterate anchoress

C. a hero in a courtly romance

D. a female mystic

A. Transylvania and England had been at war in the 1860s.

B. Transylvania is Englands economic rival.

D. Transylvania and England were once part of the Holy Roman Empire.

A. Both were successful because they followed the laws of nature.

B. Both refused to use science to do innovative work.

C. Both worked collaboratively.

A. It represents male sexuality.

B. It suggests female complicity in sexual deviance.

C. It refers to the location of murder in Gothic novels.

A. a woman who rejects the support of the community because she feels it is sexist

B. a religious teacher in the medieval era

D. a male anchorite

A. The 7th century

C. The 8th century

D. The 3rd century

A. his death year

B. his fathers name

C. none of the above

A. 19th century; Romanticism

B. 18th century; Romanticism

D. 17th century; Enlightenment

A. Pursued protagonist

C. Heroine in distress

D. Angel in the house

A. estate satire

C. medieval allegory

D. medieval lays

B. Augustine of Canterbury

C. Beowulf

D. Caedmon

A. Catherine of Siena

B. Margery Kempe

C. Catherine de Pizan

B. architects from Western Europe were influenced by new Eastern styles

C. people brought tales of romance from different literary and cultural traditions back from their trips

D. merchants started to import rare silks and spices from new trade roots

B. the short story

C. the romance

D. the heroic epic

A. It is an ancestral estate.

B. It contains vault-like spaces.

D. It is mysterious.

B. a saint who was NOT the humble, pious, and chaste figure she was expected to be

C. an anchorite

D. a heroine who used female attributes to become a saint

A. thirteenth

B. tenth

C. twelfth

A. it made them more valuable sources of information

B. it made them symbols of the Churchs progress

D. it made them more important since there were few literate lay worshipers

A. It will naturally fall out of favor.

C. It is a necessary part of the social order.

D. It is essentially fair.

B. it assured him that his wife was not a sinner

C. it assured him that his wife would carry a dowry with her

D. it assured him that her wife would never commit adultery

A. none of the above

B. nurse of royal court

C. governess to Henry IV

A. leather merchant

C. civil servant

D. none of the above

B. Christine de Pizan

C. Julian of Norwich

D. Margery Kempe

A. The Art of Courtly Love

C. The Romance of the Rose

D. Book of Hours

A. none of the above

B. a poet

C. a merchant

A. Her full embrace of the Gothic vision of Walpole, Beckford, and Lewis

B. Her defiance of contemporary culture

D. Her lack of imagination