A. It destroys notions of high and low culture and replaces it with mass culture.

B. It is an industry in the sense that its aim is to standardize aesthetic taste and value.

C. It is a radical rethinking of mass culture in that it promotes the values of high culture and attempts to eradicate more popular forms of expression.

A. It was a religious movement intended to celebrate the values of Christianity.

B. It was a political movement intended to overthrow Napoleon III.

D. It was an urban renovation project which offered social services in city slums.

A. Linda Hutcheon

B. Jean Baudrillard

C. Thomas Hobbes

A. The Bloomsbury Group consists of a group of English writers, thinkers, and artists who met in the Bloomsbury district of London.

B. The group consisted of survivors of World War II.

C. The Bloomsbury group included E.M. Forster, Clive Bell, John Maynard Keynes, and Virginia Woolf.

A. Gabriel Garcia Marquez

C. Allejo Carpentier

D. Isabel Allende

A. James Joyces Dubliners

C. Joseph Conrads Heart of Darkness

D. Friedrich Nietzsches Twilight of the Idols

A. All of the above

C. An assault on the sexual mores of the Victorian Age

D. A reaffirmation of Romantic notions of the sublime

A. Virginia Woolf

B. Y.B. Yeats

D. James Joyce

B. Homi Bhaba

C. Salman Rushdie

D. Arundhati Roy

A. William Butler Yeats

C. Charles Baudelaire

D. Napoleon III

A. Was it for this-

B. And the worst friend and enemy is but Death.

D. Riverrun, past Eve and Adams, from swerve of shore to bend of bay, brings us by a commodius vicus of recirculation back to Howth Castle and Environs.

A. It begins with the famous line: Once upon a time and a very good time it was there was a moocow coming down along the road and this moocow that was coming down along the road met a nicens little boy named baby tuckoo?

B. It captures the conflict that Stephen Dedalus has with his Irish and Catholic heritage.

C. It is a semi-autobiographical account of Joyces coming of age as an artist.

A. Symbolism

C. Surrealism

D. Dadaism

A. The Sun Also Rises

B. To the Lighthouse

C. Hugh Selwyn Mauberley

A. Nature

B. Christianity

D. Pastoral landscapes

A. Produce works of art that were meaningless

B. Make art profitable above all else

C. Avoid all forms of prose

A. Practitioners of Vorticism often saw themselves just as much as educators as artists as they taught the public a new, more graphic language.

C. The term Vorticism was coined in 1914 by the avant-gardist Ezra Pound.

D. The periodical and manifesto named BLAST attempted to expound Vorticisms principal tenets.

A. It ends with the famous line the horror, the horror.

C. The work celebrates the young Jean and his Jesuit school education as a model for the best possible education of the young.

D. All of the above

B. Lolita, look at this tangle of thorns.

C. Lolita, all at once we were madly, clumsily, shamelessly, agonizingly in love with each other.

D. Lolita, a cluster of stars palely glowed above us.

A. The novels radically unique narrative voice

B. The novels experimental structure

C. The profound and often troubling relationships among characters

B. Man Ray

C. Pablo Picasso

D. Juan Mir

A. It is an excellent example of Magical Realism.

C. It is concerned with the post-colonial situation of India before and after its partitioning into India and Pakistan.

D. It is a book that tells the story of the Sinai family.

A. Joyces The Dead

C. Hemingways My Old Man

D. Woolfs A Haunted House

A. Stream of consciousness attempts to accurately capture the external dialogue of various characters in a realistic setting by an objective observer.

C. Stream of consciousness is the capturing of the interior monologue of the narrator.

D. Stream of consciousness often relies upon free association of ideas.

B. Symbolist

C. Genteel

D. Decadent

A. His career ended when he was jailed for criminal gross indecency.

B. He was notorious for his use of paradox.

C. He believed that art should be something more than the reproduction and appreciation of the natural world.

A. Aestheticism

B. Naturalism

C. Decadence

A. Veni, vidi, vici

B. Dux bellorum

C. Pax romana

A. Mishnaic Hebrew

B. Samaritan Hebrew language

C. Biblical Hebrew

A. The underground drains

B. Designated trash areas

D. Dump sites in the nearby country

A. Arnold

C. D.G Rossetti

D. Leigh Hunt

A. a philosophy dictating that we should only keep what we use on a daily basis.

B. a farming technique aimed at maximizing productivity with the fewest tools

C. a critical methodology stating that all words have a single meaningful function within a given piece of literature

A. Tennyson

B. Robert Browning

D. Christina Rossetti

B. often

C. long

D. fast

B. the attempt of a protagonist to define his or her place in society

C. a surrealist exploration of alternate states of consciousness

D. the representation of a large and comprehensive social world in realistic detail

A. The Massacre at Berlin

B. The Massacre at Rome

D. The Massacre at Paris

A. Edward King

C. Milton

D. Arthur Hallam

A. Ovid

B. Horace

C. Virgil

B. The Cabinet

C. Parliament

D. The Star Chamber

B. D.G Rossetti

C. Robert Browning

D. George Eliot

A. Edward VI

C. Charles I

D. Mary Queen of Scots

A. Too many of its readers were women.

C. It lacked the classical pedigree of poetry and drama.

D. It required less skill than other genres.

A. They were all painters

B. They all belonged to the Oxford Movement

C. They were all Victorian Novelists

A. Christs Hospital

C. Merchant Taylors

D. Westminster

A. about half of middle class men

B. all women

C. almost all working class men

A. the working classes

B. women

D. slaves

B. The Double

C. The Metamorphoses

D. The Castle of Perseverance

A. the neo-classical influence of Pope and Dryden

C. the Orientalist fantasies of Coleridge

D. the clumsiness of Shakespeares plots

A. 48

B. 34

D. 22

B. Winter

C. William

D. Waldimor