A. A theory that values restraint, form, and imitation

B. A humanity-centered view of the universe

C. An idea traditionally associated with the Renaissance

A. The examination of intricate structures within our unconscious

B. The examination of our unconscious experience

D. The examination of desires informing our consciousness

B. Evaluate the Poem.

C. Analyze the Elements of the Poem

D. Introduce External Support.

A. Matthew Arnold

B. C.S. Lewis

D. Virginia Woolf

A. Rhetoric

B. Ethics

D. Metaphysics

B. A reversal

C. A poetic metaphor

D. A satire

A. Browning

C. William Worsworth

D. Eliot

A. Mimetic approach

B. Formalist approach

C. Historical approach

B. All of these

C. Formalist

D. Mimetic

B. He advocates their strict observance

C. He says that every dramatist should decide it for himself

D. He is silent about this issue

A. Formalism

B. Moral/ Philosophical Approach

D. Psychological Approach

A. T. S. ELiot

B. William Hazlit

C. Walter Pater

A. He favours the observance of the Unity of Action only

B. Their observance depends upon the nature of the theme of the play

C. It is not necessary to observe them

B. Harold Bloom

C. Cleanth Brooks

D. Wolfgang Iser

A. Fredric Jameson

B. Julia Kristeva

C. Terry Eagleton

A. Feminist critics need to re-appropriate Ophelia for their own purposes.

C. Ophelias madness represents the social oppression of women.

D. It is nearly impossible to represent women as anything other than mad in patriarchal discourses.

A. Literary texts should not be read as a projection of the authors psyche.

B. Literary texts solely reflect an authors intentions.

D. All of the above answers are correct.

A. Viktor Shklovsky

B. Michel Foucault

C. Roland Barthes

A. Sigmund Freud

B. Carl Jung

C. William James

A. Both sets of critics reject the importance of historical context in studying literature.

B. Both sets of critics look for an objective way to view texts.

C. Both sets of critics focus on evaluating literature in a scientific manner.

A. Structuralism

B. Formalism

D. Poststructuralism

B. Sin

C. Flaws

D. Tragic flaw

B. Henry Howard

C. John Skelton

D. Roger Ascham

B. Louis Althusser

C. Walter Benjamin

D. Julia Kristeva

A. Formalism/New Criticism

B. Psychological

D. Moral/Philosophical

A. none

B. dance

C. drama

A. A figure of judgment

C. Psychological treatment

D. Religious belief

A. Trauma theory

B. Game theory

C. Marxist theory

A. William Tyndale

B. Roger Ascham

C. Henry Howard

A. Italian writer

B. English writer

D. Greek writer

A. Jacques Lacan

B. Jacques Derrida

D. Edward Said

B. A feminist term for the state that occurs when texts written by women are not considered in the study of literature

C. A term for the false neuroses expressed in dreams

D. Another term for the unconscious

A. Comedy

B. Melodrama

D. Satire

B. All of the above answers are correct.

C. Literature is timeless, and thus meaning does not change.

D. Language must be studied in conjunction with history in order to create meaning.

A. It should not be read or considered by any student or scholar.

B. It offers a strong outline for how theory can be conducted in the 21st century.

D. It offers a strong counterpoint to Jacques Derridas notion of deconstruction.

A. Freud

C. Tate

D. Richards

A. Cleanth Brookss Keatss Sylvan Historian

B. Jacques Lacans The Mirror Stage . . .

D. Harold Blooms An Elegy for the Canon

A. Henry James

C. Willy Loman

D. David

B. It represents the nature

C. It imitates nobility

D. It shows a tragedy

A. Eliot

B. Addison

D. Arnold

B. Jacques Derrida

C. Jacques Lacan

D. Claude Lvi-Strauss

A. Lisideius

B. Eugenius

D. Crites

A. It is the only significant aspect of the human psyche.

C. All of the above answers are correct.

D. It can never be accessed.

A. A term used to explain the use of multiple points of view in literature

C. A term used to describe how texts include a variety of styles

D. A term developed by Mikhail Bakhtin

B. Oedipus at Colonus

C. Jocasta, the Queen of Thebes

D. Antigone

A. It is possible to distill meaning from a work based on the authors politics.

C. Literature is inextricably connected to its creator.

D. Biographical information about the author must be considered when evaluating literature.

A. A character who is by nature melancholy

C. A character who is always cheerful and gay

D. An eccentric person

A. It includes too few works by women.

B. It includes too few works by non- European writers.

C. It includes too few works by non-white writers.

A. 1st Century BC

B. 2nd Century AD

D. 3rd Century AD

A. By narration

C. By supernatural machinery

D. By the choral odes