A. Virgil

B. Homer

C. Cato

B. Elizabeths Men

C. Wills Men

D. The Globes Men

A. Doctor Faustus

C. The Jew of Malta

D. The Faerie Queen

B. The ability to move from purgatory into heaven

C. The idea that the punishment fits the crime

D. The movement from one circle of hell to another

A. The punishments prevent hope from being reborn in sinners.

B. The punishments keep the sinners from entering the path to salvation.

D. The punishments remind the sinners that they are damned to hell.

A. agnosticism

C. skepticism

D. pessimism

A. By Venus

C. By old age

D. By execution

A. A Duke

C. A professional actor

D. An Amazonian

A. William Shakespeare

C. Philip Sydney

D. Christopher Marlowe

A. 1577

C. 1550

D. 1580

B. De Vulgari Eloquentia

C. The Convivio

D. Vita Nuova

A. John

B. Hamlet

C. William

B. The life of Shakespeare

C. The popularity of theater

D. The rise of Queen Elizabeth

A. Lawrences father

C. Lawrences brother

D. Lawrence himself

A. Tragedy play

B. Short story

C. Comedy play

A. English

B. Tuscan

D. Italian

A. Allegory of speech and allegory of the theologians

B. Allegory of speech and allegory of the poets

C. Allegory of speech and allegory of irony

A. The setting for the middle portion of Dantes The Divine Comedy

B. A place for cleansing and purification

C. The place of transition between earth, heaven, and hell

B. it led to more depictions of violence and sacrifice in Irish literature

C. it inspired Irish writers to create an Irish national identity

D. it led many Irish writers to criticize British colonial practices

B. He believed that heaven, hell, and earth were indistinguishable.

C. Because he was pagan, he did not believe in heaven.

D. Because he was an early Christian, he believed that heaven was inaccessible.

A. Metonymy

B. Allegory

D. Simile

A. The Prelude

B. The Solitary Reaper

C. Immortality Ode

A. King Henry

B. King Richard

D. Queen Victoria

A. Paris

B. Naples

D. London

B. Macduff

C. Banquo

D. Malcolm

A. Nobility

B. The gentry

C. Yeomen

A. Justice

B. Reason

C. Lust

A. In The Inferno, the place for many ancient Roman, Greek, and Egyptian thinkers

B. For Dante, the home of major figures from the Hebrew Bible

C. The place for virtuous non-Christian adults

A. Lady Macbeth

B. Duncan

C. Lady Macduff

B. The steps to confession

C. The beatitudes

D. The deadly sins

A. Parolles

B. Mariana

C. Gertrude

B. Philip Sidney

C. The Earl of Oxford

D. William Shakespeare

A. 16th century

C. 17th century

D. 14th century

A. Clarence

B. Richmond

D. Tyrell

B. The end of the first scene of a play

C. The first death on stage in a play

D. The turning point of the action in the play

A. France

B. Denmark

D. Norway

B. Norway

C. France

D. England

A. Paris

B. Ravenna

D. England

B. Montjoy

C. Nim

D. Horatio

A. Viola and Sir Toby

B. Viola and Orsino

D. Malvio and Maria

A. The poets descent into hell

B. The poets tour of earthly paradise

C. The poets attempt to find his way back to Florence from Jerusalem

A. Eliot

C. Johnson

D. Shelley

B. Ben Johnson

C. Philip Sidney

D. Thomas Kyd

B. The Enlightenment

C. The Italian Renaissance

D. The Black Death

A. Authorial narration

B. Old English

C. Prose

A. A sophisticated comedy with a surprising ending

C. A horror play, featuring supernatural forces

D. A performance of a classical play in contemporary language

A. Beneath Cairo

B. Beneath Rome

D. Beneath Florence

A. He declares emperors infallible.

C. He declares papal authority infallible.

D. He says that all empires should be ruled by dictators.

A. Queen Elizabeth

B. King Edward IV

D. Tyrell

B. The afterlife existence for mortal sinners

C. The earthly paradise

D. The heavenly paradise